Archive for the ‘Geeta Dutt and her life’ Category

Exclusive: Pankaj Mullick sahab on Geeta Dutt

Thursday, November 22nd, 2012

Zalazala

IN COMPOSER PUNKAJ MULLICK’s WORDS
TAKEN FROM page 160 of his autobiography (translated from Bengali)

…”.I was the music director in the Hindi film ‘Zalzala’ (a film by German Director Paul Zils) which was made according to Rabindranath’s ‘Char Adhyay’. Talented singer Geeta Roy (later ‘Geeta Dutt’ after marriage to actor-producer Guru Dutt) had given some playback in the film. Even today when I hear the beautiful voice of Smt. Geeta, I feel pain remembering her untimely departure. I have already said before, in order to learn the songs of ‘Zalzala’, at a point of time, she used to come to my house on regular basis. I too had gained immense pleasure in teaching her those songs «

Geeta Pankaj Mullik

ARDENT FAN SOUNAK GUPTA SAYS….

Geetaji came from Bombay to Calcutta (in 1952 she was already one of the busiest singers in Bombay… Still she came to Calcutta)… Stayed on over here… Regularly went to Pankaj Mullick’s house… Learnt the songs like no less than a student… Successfully pleased the mentor… Recorded the songs… And finally (as she always did) pleased all of us!………. Pankaj Mullick selected Geetaji to sing in “Zalzala”… In the films where he has been MD… Only NT singers have sung… Even in Zalzala… The only other female singer was the eminent Utpala Sen… She too was from NT… Only Geetaji was a Non-NT person… Moreover… The recordings of the Zalzala songs were done in Calcutta… So Pankaj Mullick could easily have selected some vocalists from Calcutta to record those songs… BUT he chose Geetaji… Who had to come from Bombay to Calcutta to learn, reherse and record those! That PROVES, Pankaj Mullick was indeed FASCINATED by Geetaji’s renderings! So! Geetaji is a great favourite of pioneer Pankaj Mullick too… That shows… Geetaji was effortlessly effective in rendering songs of the early maestros as well!……….

Here are the five masterpieces from this film:

1) Oh Duniya waalo

2) Bujho bujho aye dilwaalo

3) Kabhi inko chaahe

4) Jaanewale de gaye

5) The best of the album ” Mujhe dekhakar woh jab muskurayenge”

GEETA ROY/DUTT- A STORY IN PICTURES…

Thursday, November 22nd, 2012

Pic tribute

On the eve of her birth anniversary, here is a picture tribute to our beloved singer Geeta Dutt ji.

Acknowledgements:

We are grateful to our dear friend Priya for this wonderful graphic.

Exclusive: Tribute by Madan Mohan ji’s daughter

Thursday, November 22nd, 2012

Madan Mohan films

We are highly grateful to Sangeeta Gupta ji, eldest daughter of the maestro composer Madan Mohan sahab for writing this tribute to Geeta ji on our special request.

….”I have always loved Geeta Dutt – the singer and the person (from what I heard from my mother) My obvious first like for her was “Aye Dil Mujhe Bata De” from the film Bhai Bhai as I was more familiar with that song. The earthy quality of her voice drew me to her songs, especially the beautiful ones she sang for the great S.D.Burman and Hemant Kumar – my most favourite being the ones from Sahib Bibi aur Ghulam and of course the sensational “Waqt ne kiya kya haseen sitam” – just pierces your heart. Even her later songs like the ones from Anubhav – “Meri Jaan, mujhe jaan na kaho” never failed to raise such romance in the air. Amazing range from romantic songs, to bhajans, naughty ones and cabarets – Geetaji was a rage all over. She remains etched in the memories, and hearts like “aiso jiya mein samaye gayo re ke main tan man ki sudh budh ganva baithi”.

Madan Mohan Geeta Dutt

COMPOSER MADAN MOHAN CONDUCTIING GEETA JI IN A MUSICAL SHOW

I believe that it must possibly mean the aye dil mujhe bata de song…”One of Madanji’s biggest hits came from Geeta Duttji. A chart buster from the film Bhai Bhai – released in 1956 from the AVM studios. Lyrics and dialogues by Rajinder Krishan and music by Madan Mohan. Looking at the photograph carefully – the one of Madanji conducting Geeta Duttji, I see a familiar face, and can now guess where this photograph was taken. The photograph was taken at the wedding of the daughter of Mr. Lakhanpal, owner of Murphy Radio, who was a very, very dear family friend and Dad used to arrange all the music programmes at the weddings of their daughters. At a later occasion I remember they had Talat Mahmood also sing for one of the evenings

In this film Rajinder Krishanji named the heroine as Sangeeta and my mother was not too happy about this….. they kept the name, I am told.I have not seen the movie, but these are memories I have….”

Madan Mohan and Geeta Dutt

With Madan Mohan and Lata Mangeshkar during the recording of the song Oonchee Neeche Raahein from the film Baap Bete

What a lovely smile all three of them are sharing during the recording!

Samundar recording

Listen to this song here:

One can see Geeta ji and Madan ji during the recording of a song for the film Samundar (1957)

Geeta Dutt and Madan Mohan at a musical evening along with the organisers….
Madan Mohan and Geeta Dutt

In the mid-sixties a musical event was organised in Delhi on a very large scale by the government after the war to raise funds. Seen here are Hasrat Jaipuri, Achala Sachdev, Sadhana, Madan Mohan and Geeta Dutt.

Madan Mohan and Geeta Dutt

I love all geeta dutt songs, especially the ones she sang for the great S. D. Burman. The song Waqt ne kiya is such a favourite and have been singing this over the years, can never tire of it. Even love the song Meri Jaan, mujhe jaan na kaho meri jaan from the film Anubhav is a hot favourite of mine……HER VOICE JUST PIERCES THE HEART.

A fan’s tribute: Vol. 5

Wednesday, November 21st, 2012

Geeta Dutt

Having been brought up in a middle class Bengali family in a small township of Assam, listening to Hindi songs was a taboo in our house for a long time. So, quite naturally, I became familiar with Rabindrasangeet and Modern Bengali songs of Hemanta, Manna, Dhananjay, Shyamal, Manabendra, Sandhya and others first and then, much later I started exploring the Hindi singers, who then gradually became more obsessive for me over the years. Recalling my childhood days, I remember, my father used to bring cassettes of Bengali songs of different artists every now and then, and whenever a new cassette used to come at our house, we used to listen to that repeatedly for 2-3 days! Difficult to believe such days existed in today’s world of i-Pods and mp3 players. Anyways, one day we got an ensemble cassette of Geeta Dutt (in Bengali, it was written “Dutta”, whether it was goofed up with the Bengali surname or done intentionally, I don’t know) and remember, Lata, Asha, Kishore and Rafi had yet to make their entries in our house by that time.

So came my first reception to the songs of Geeta Dutt- the immortal creations like Nishi raat banka chand aakashe, Ei sundar swarnali sandhyay, Tumi je aamaar, Shudhu ektukhani chawa etc etc. First impression is the last impression, they say, and it was for me as well. Geeta Dutt sketched out to be a singer of soft, melodious and sometimes slow songs for me for a long time. And trusting my father to the full, I had confirm belief that Geeta Dutt must be one of those “good singers” like Hemanta or Shyamal and not a “notorious lot” like the Hindi film singers ☺

Of course, in 1996, after listening to the first Geeta Dutt Hindi film songs collection, things changed. But, surprisingly, for many music lovers, Geeta Dutt is remembered more in Bengal for her soft, slow and soothing melodies and quite contradicting to her popular, club song singing image (especially in the fifties) in Hindi movies.
Geeta Dutt’s Bengali repertoire is indeed very different from her Hindi image. When you listen to her in songs like “Koi door se awaz de” or “ Mujhe jaan na kaho meri jaan”, you might sometimes desperately wish why but why the music directors did not give her more of such songs?

Whereas, in Bengali, I sometime really miss more of her peppier and foot tapping numbers which she sang in Hindi. (Though she has the distinction of singing the very first cabaret song in Bengali film.) Even in Hindi, the sober, serious shade of Geeta Dutt was utilized more by the lot of Bengali MDs like Hemant, Salil, Timir Baran,Kanu Roy and S D Burman; with a big exception from Avinash Vyas who gave some sparkling gems of deep emotional songs to Geeta Dutt. Pankaj Mullick never worked with Lata or Asha, but he gave as many as five songs to Geeta ji in Zalzala(1952). The forties and the early fifties really belonged to this marvellous lady. She even bettered Kishore Kumar in the latter’s strong forte- naughty songs- in “De bhi chuke hum” for the film Jaal (1952); she was as if dominating the male singer with sheer confidence there! The kind of confidence with which she used to pull off those numbers those days, are beyond expressing in words.

Geeta Dutt’s Bengali work has that sharp distinction of being in a different segment altogether. Of course, she was very busy in Mumbai (then Bombay) in those days of the fifties, but still could manage to find times to record for Bengali non film albums and some highly memorable movies like Harano Sur, Hospital, Luko Churi. Guru Dutt started making a Bengali movie called Gouri in around 1954 for launching Geeta as a heroine, but the movie was never completed. S D Burman was the music director and some songs were recorded. Very recently, the song “Jaani bhromara kaino” (which was never released on records) was discovered through great contribution by SIRC.

S D Burman also used Geeta in other Bengali films like Samar(1950)- which was a remake of Bombay Talkies’Hindi movie Mashal released in the same year.

This 23rd November would be Geeta ji’s 82nd birth anniversary. A lady with great talent and versatility introduced so many concepts those days which were beyond imagination. One of her song in Jaal Saaz was banned also those days for being too bold. She broke traditions and orthodox in Hindi and stuck to them with equal ease in Bengali- amazing!!
The brand of Geeta Dutt is just like her- blend of spirit and soberness- excelling in each of them!
My salute to the Original Queen of Playback Singing in India.

Acknowledgements:

We are grateful to our dear friend and a huge fan of Kishoreda, Shri Arghya Dutta for writing this special tribute on our request. Arghya has his own blog page here.
He has also written articles on Kishoreda on our sister website dedicated to the great singer/actor/composer Kishoreda.

Tribute by Bela Mukherjee, wife of Hemant Kumar sahab

Monday, November 19th, 2012

This is the small write-up (translated). Remembrances of Geetaji from Bela Mukherjee’s writing. Bela Mukherjee and Hemant Kumar were close family friends of Geetaji-Guru Dutt.

Geeta ji Bela Mukherjee, Hemantda

(Bela Mukherjee-Geeta Dutt-Hemanta Mukherjee-Sri Arup-Saroj Sengupta)

Neer Chhoto Kshoti Nei, Aakaash To Baro – Who knows, how much of hope, this song may have established in Love! Geeta indeed possessed a beautiful voice, but her nature was even more beautiful. Prior to Lata’s arrival, Geeta was almost a monopolistic institution in the Industry, as far as music was concerned. Especially in romantic songs, she still has no peer.
The intimacy of Hemanta with Geeta and Lata, which began from the time of ‘Anandmath’, had ever increased. While he went on and on singing with Lata in ‘Shart’, ‘Jaal’, ‘Nagin’, ‘Anarkali’, Hemanta continued to sing marvellous duets with Geeta in ‘Shrimatiji’, ‘Munimji’, ‘Bahu’, ‘Bandini’, ‘Police’, ‘Hum Bhi Insaan Hai’ and other films.
Bengali films have been no exception here. Whenever he got an opportunity, Hemanta wonderfully used either of their songs in his films. In the earlier phase, it was Geeta who got more priority. Right from ‘Harano Sur’ to ‘Joutuk’ or ‘Indrani’ – every romantic situation demanded Geeta’s songs! Her songs for Suchitra Sen would madden lovers of film and music in those days!
Gradually Geeta turned out to become a close family friend. Lata would still have certain hesitations at times, but Geeta never cared for anything – she seemed to be no less than a member of our family. Earlier Geeta would come to meet us alone but after her marriage to the eminent actor and filmmaker Guru Dutt, both began coming to our place now and then.
Both Geeta and Guru were extremely moody, and on top of that, Geeta, very touchy. It is impossible for me to accurately say, how many times we have had to be confidantes in their trifling fights! Such has also happened that when on some winter night, having completed our dinner, lying on the bed we are speaking to each other under our blankets, Geeta has suddenly arrived! Knowing her through and through, we never asked how and why she came at such unexpected times – even Geeta would never give any reason. She would just get herself under the blanket and soon a chat session would begin! In an hour’s time the doorbell would ring again and we would get another guest in – Guru. Again, there was no question of asking. We would understand that they have had some petty fight, after which, Geeta, being more sentimental has come up earlier and later, her husband. Guru too, was always aware where his other half might be. So in search, he would always come up to our bungalow – Geetanjali. Our chat session would only get livelier!
As the night would go deeper and deeper, one of the two would suddenly think of returning, and breaking the chat session midway, they would leave for home smiling! No, it was not only that they came to our place only after some quarrel. Geetanjali was actually the heart of our lively chats! Besides going on and on chatting, would often play cards together! Again at times, when we would go for outings for a day or two, our team never seemed complete without Geeta and Guru.
We had felt the loss of a soul’s mate when Guru passed away. Some people are very sensitive. Just as there is no limit of their joy in each wonderful moment of life, each strike of pain and sorrow breaks them up to pieces. The danger happens at that point. When in certain circumstances, situations shake the very foundation of the hearts of these people; they lose the rhythm of life.
As far as my memory goes, a match between India and England was going on in Bombay at that time. Cricket has always been a favourite game of mine and we are there, in the gallery. Our driver, Sanat, came panting and said, ‘An accident has taken place.’ Thinking that someone at home must have faced some accident, I was anxious, but we were utterly shocked when he said next, ‘Guru Saab has committed suicide.’
Guru and Geeta’s house was close to the stadium. We immediately rushed to the place. Men from the Police in every corner of the bungalow… The very house where we had spent many colourful hours of our lives had been submerged into a veil of darkness and sorrow… Entering the bedroom we saw the hero in eternal sleep. The very person, whose laughter made us feel as if the entire world was submerged in the waves of joy, the one whose personality rightly carved for him the throne of a king in the Industry, seemed so helpless… His hand hanging out from the bed… A glass of liquor lying down… It was as if he had great hurry to leave… Even his drink was lying half consumed.
Searching for Geeta, we found that she had still not gained her senses. Two sons, a daughter… How old were the three! How would Geeta be able to manage her household with those three little children?
At the initial stage, after the departure of Guru, Geeta had lost the rhythm of her own life. She would keep indoors, refusing to leave, whatever the cause be outside. But soon she found herself without a single penny. Geeta then began to at times appear in the recording studio, she was often seen performing on stage. Situations forced her to jump back to life. Was there any other way? An artiste she was – how could she have survived without her Art? Over that she had her little children to grow.

Acknowledgements:

This has been compiled from the writing of Bela ji. She had recalled Geetaji in various parts of the writing. We have put those scattered bits together. We are grateful to our dear friend Sounak Gupta for this exclusive article on the occasion of Geeta ji’s birth anniversary on 23rd November.

Deep jalenge deep Diwali aayi ho.. Happy Diwali !

Saturday, November 10th, 2012

Diwali

Composer Ram Ganguly sahab did few movies considering comparitively long career but his quality was very good. Here is a perfect Diwali song from our side for this Diwali festival season which we really adore. The movie’s name is Paisa (1957).

It was produced by Prithviraj Kapoor sahab and was a film adaptation of a play of the same name done by Prithvi theatres and had its actors of course. The movie unfortunately flopped reportedly and made him under debt for a while. The lyrics are by Lalchand Bismil (also known as Bismil Peshawari). We are not sure about what was the Prithviraj Kapoor-Ram Ganguli connection.’ Probably this was reason for him doing Aag (a Kolkata or theatre one perhaps).

Acknowledgements:

We are grateful to our friends Dr Mahesh and Gajendra Khanna for their contributions to this post.

Tributes to Geeta ji..by her fans in their own voices

Monday, October 22nd, 2012

Geeta Dutt

With the popularity of the video sharing sites like Youtube, a lot of music lovers have sung their favorite songs and shared them with the world. Here is a compilation of such tributes of some of the very melodious and lovely songs of Geeta ji. Most of the singers have done commendable job and their affection towards Geeta ji is evident in the way they have presented these songs. We are grateful to all for these tributes and for sharing them with us.

1) Ja ja ja bewafa : Aar Paar (1954) , MD : O P Nayyar, Lyrics: Majrooh — Tribute by Sudha Rao

This is a very lovely sad song (in a crime thriller film with lot of fast paced songs). Sudha ji has very nicely captured the mood of the song.

2) Mera sundar sapna beet gaya : Do Bhai (1947), MD: S D Burman, Lyrics: Raja Mehendi Ali Khan — Tribute by Jayanthi Nadig

A song more than 60 years old has not lost its charm. This is an eternal favorite of any one who likes songs from old Hindi films. Jayanthi ji has beautifully sung this melody.

3) Hoon abhi main jawaan : Aar Paar (1954) , MD : O P Nayyar, Lyrics: Majrooh — Tribute by Kaplana Desai

Another popular song from Aarpaar, this one, though a fast paced one, has a touch of sadness. Nice singing by Kaplana ji in this song.

4) Na yeh chaand hogaa : Shart (1954), MD: Hemant Kumar, Lyrics: S H Bihari — Tribute by Kusum Sharma

This has to be one of the most emotional songs of Geeta ji. Kusum ji has put her heart and soul in this song.

5) Jaane kya tune kahin : Pyaasa (1957), MD: S D Burman, Lyrics: Sahir — Tribute by Sudha Rao

A light romantic number from otherwise dark film. A great composition by Burmanda, sung so nicely by Sudha ji. Great job.

6) Piya aiso jeeya mein : Sahib Bibi aur Ghulam (1960), MD: Hemant Kumar, Lyrics: Shakeel Badayuni — Tribute by Jayanthi Nadig

This is a perennial favorite of many music lovers (even though the most popular song from SBG is “Na jaao saiyaa”). Jayanthi ji has nicely captured the mood of the song and sung it very well.

7) Tadbeer se bighadi : Baazi (1951), MD: S D Burman, Lyrics: Sahir — Tribute by Mona Gajjawala

The song that proved to be a milestone in Geeta ji’s (and many other people’s) career. Mona ji has done a great job in singing this seemingly simple yet captivating tune.

8 ) Mera naam chin chin choo : Howrah Bridge (1958) , MD : O P Nayyar, Lyrics: Qamar Jalalabadi — Tribute by Rajjulaxmi

Another rock and roll number, one of her most favorite songs, a favorite of many musical programs. Rajjulaxmi ji has sung it with a lot of energy and zing.

9) Aye dil mujhe bataa de : Bhai Bhai (1956), MD: Madan Mohan, Lyrics: Rajinder Krishan — Tribute by Sudha Rao

A passionately romantic sweet song. Once again Sudha ji has done a great job in singing this.

10) Mujhe jaa na kaho : Anubhav (1971), MD: Kanu Roy, Lyrics: Gulzar — Tribute by Manisha Jambotkar

This is the song from a film which proved to be bright flicker of the lamp before it extinguished. All the 3 songs of Geeta ji from this film are marvelous. It is a difficult song to sing, but Manisha ji has again sung it so well.

11) Thandi hawa kaali ghata : Mr and Mrs 55 (1955) , MD : O P Nayyar, Lyrics: Majrooh — Tribute by Krithika Jeyaraman and Sudha Rao

The magic of Madhubala, Geeta Dutt, O P Nayyar and Majrooh is simply amazing. Many music lovers use the opening lines of this song to describe the voice of Geeta ji. Krithika ji and Sudha ji has sung this in perfect team effort. Great singing.

12) Jaata kahaan hain deewane : CID (1956) , MD : O P Nayyar, Lyrics: Majrooh — Tribute in a program dedicated to Geeta ji

Another sizzler song from OPN sahab’s treasure. Though the song was deleted from the film due to censor problems, it has not lost its charm. The singer has done a great job in singing this one.

* This post was originally posted on January 15th, 2011. We lost some pages due to technical issue. Now we are in the process of re-publishing these articles.

Hidden gem from Gauri… An unfulfilled dream

Monday, October 22nd, 2012

Geeta Dutt

Geeta ji was supposed to make her acting debut with the Bengali film which was titled as Gauri in the year 1957. We have already put together all the details about this film on our website here “Geeta Dutt as an actress”

We had been searching the audios/videos of any song recorded by Geeta ji for this film for a very long time. Finally, thanks to Shri Suresh Chandvankar ji and SIRC (Society of Indian Record Collectors), we are able to listen to one song “Jaani Bhromora Keno” recorded on the 13th Nov 1957.

Lyrics :-

Jaani, Bhromora Keno – KothaKoyna!

Jaani, Mahua Keno – Matal Hoyna!

Padma-Phota Jheel – Rodey,

Sudhu Jhilimili-Jhilimili Kore.

Tobu Keno Aankhi Jhore,

Sudhu Jhor-Jhor-Jhor-Jhor Jhore?

Amie Sudhu Jaani,

E Mon Keno – Ghore Royna!

Krishnachura, Haoar Sure,

Sudhu Jhiri-Jhiri-Jhiri-JhiriDole.

Ki Ek Pakhi, Sune Daake,

Sudhu ‘Chokh-Gelo!’ ‘Chokh Gelo!’Bole.

Amie Sudhu Jaani,

E Jwala Keno, Prane Shoyna!

Translation :-

I know, Why The Bee, Speaks Not!

I Know, Why The Mahua PlantDoesn’t Get Sot!

The Lotus-Adorned Lake, Shines InThe Sunlight.

Yet, Why Do Tears Flow Down FromMy Eyes?

Only I Know, Why The Mind WishesTo Be Free!

In Tune With The Wind, TheKrishnachura Plant Swings.

Hearing The Tune, A Bird SingsOut, ‘Chokh Gelo! Chokh Gelo!’

Only I know, Why I Can’t TolerateThis Pain Any More!

Note :-

‘Chokh-Gelo’ is the name of a bird (Hierococcyx varius), derived from the seemingly ‘Chokh-Gelo! Chokh-Gelo!’ (My EyesAre Gone! My Eyes Are Gone!) sound that it makes. The name of this bird hasoften been used in romantic songs. ‘Pee Kahan’, a similar onomatopoeicexpression, used in various songs, relates to the same bird.

The same song was later on recorded by Burmanda in his own voice.

He also used the same tune for the song “Jaani tum toh dole dagaa daike” sung by Lata ji for the film Dr Vidya the same year.

It is interesting to note that even though Geeta ji had sung the original song for Gauri, she was no longer the singer of choice for the same tune for Dr Vidya. Even when she did sing another song for the same film, a duet with Asha ji.

This was a nine minute long song which never got released on the records, and hence not known to many music lovers. One wonders why Burmanda chose not to give the song “Jaani tum toh dole” to Geeta ji ?

Acknowledgements:

We are indebted to Suresh Chandvankar ji (Secretary – Society of Indian Record Collectors) for the rest of our lives for sharing this rarest of the rare gem with us. Many thanks to our dear friend Gajendra Khanna for making it available within hours after getting it.

We are grateful to our dear friend Sounak Gupta for helping us with the lyrics and translation of the song.

Dil ki umangein hain jawaan..

Monday, October 22nd, 2012

Dev, Johny, Guru and Geeta

The legendary actor, director, producer Dev Anand sahab is no more. We pay our tributes to this great legend and pray for his soul to rest in peace. Among all the films Geeta ji sang for, her maximum number of songs (in terms of quantity as well quality) might very well be from films starring Dev sahab.

One can see Geeta ji-Guru Dutt ji with Dev Sahab, and Johny Walker sahab in the above pic. We all very well know that Dev sahab was a close friend of Guru Dutt ji and information about their friendship is available everywhere on the internet.

Geeta ji, the queen of “Bhaav Gaayaki” has sung such a wide range of songs for all these films. Here is an almost complete list of such films:

Jeet (1949)
Khel (1950)
Birhaa Ki Raat (1950)
Dilrubaa (1950)
Afsar (1950)
Stage (1951)
Nadaan (1951)
Baazi (1951)
Zalzalaa (1952)
Tamashaa (1952)
Jaal (1952)
Armaan (1953)
Ferry/Kashti (1954)
Humsafar (1953)
Baadbaan (1954)
Munimaji (1955)
Milaap (1955)
Dev Anand in Goa (Alias Farar) (1955)
Pocket Maar (1956)
CID (1956)
Paying Guest (1957)
Nau Do Gyarah (1957)
Love Marriage (1959)
Manzil (1960)
Kaala Baazar (1960)
Ek Ke Baad Ek (1960)
Film Hi Film (1983) — The song Hum Khoob jaanate hain starred Dev sahab.

The film worthy a special mention is of course Baazi. It was an unique phenomenon — Geeta ji sang for both Geeta Bali and Kalpana Kartik. All those songs were solos sung for the debonair hero Mohan aka Dev. Not only that, Geeta ji sang for the director Guru Dutt [whom she didn’t even know], not for her lover off screen. But when Geeta ji sang Aaj ki raat piya dil na todo OR tarrarrum, tararrum ye kaun ayaa… she was singing very much for the character on screen and the person off screen Kalpana Kartik who was headlong in love with Dev Anand and so was he…. so much so that they tied the knot right in the sets of Baazi!! Chetan anand had introduced Kalpana for the first time who was a girl from Shimla.

An interesting aspect of “Two Geetas” and Dev sahab.. Dev sahab acted With Geeta Bali ji in seven films : Baazi, Jaal, Zalzala, Ferry, Farar, Milap, Pocketmaar. All of them had at least one song by Geeta ji, in fact she was one of the primary singers for all the films except Pocketmaar.

The only time when the viewers of Hindi cinema got to see the glimpse of Geeta ji on the silver screen was also from the Dev Anand film “Kaala Baazar”

The director-singer couple can be seen in the video below at 2:55 minutes arriving at the premiere of Mother India. Dev sahab plays the role of a person who sells the theater tickets in black (hence the name of the film is Kaala Baazar).

There are close to five dozens or more songs of Geeta ji from films starring Dev Sahab. She was very much a part of his films, specially in the early to mid fifties. Here is one fun-and-romance filled song featuring Dev sahab, Nalini Jaywant ji and Pran sahab from the film Munimaji (1955), a rare occasion where Geeta ji says a few lines apart from singing.

The legacy of Dev Anand, the eternal romantic hero will live on forever. Rest in peace Dev sahab.

Acknowledgements:
We are thankful to Haimanti Banerjee, author of the book “Geeta Dutt — The Skylark” and our dear friend Sounak Gupta for their contributions towards this tribute.

* This post was originally posted as a tribute to Dev sahab on December 3rd, 2011. We lost some pages due to technical issue. Now we are in the process of re-publishing these articles.

Myths and Myth Busters

Monday, October 22nd, 2012

Geeta Dutt

As we have said umpteen number of times before, very little information was available on the internet on Geeta ji before our website was launched on 23rd November 2008. As we are approaching the completion of two years of our website, here is an interesting aspect of Geeta ji as a playback singer. Intentionally or unintentionally, a lot of myths had been spread about our beloved singer, an ocean of talent. So it is our duty to bust such myths.

Myth 1 : Geeta Dutt sang mostly for her husband’s films.
Myth buster : Geeta ji sang an approximate 1500-1600 songs in her life. Out of these precisely 42 have been sung for Guru Dutt films. The rest are obviously for outside banners

Myth 2 : Geeta Dutt sang most of her songs for O P Nayyar, S D Burman and some for Hemant Kumar.
Myth buster : Without denying the fact that some of her popular songs are composed by this trio of maestros, the fact is that she sang for approximately 150 – 175 composers in her career.

Myth 3 : Geeta Dutt sang only for Hindi films.
Myth buster : Geeta ji sang Hindi film songs, Hindi non-film songs, Bengali film and non-film songs, Gujrati film and non-film songs. She also sang in Marathi, Punjabi, Maithili, Bhojpuri, Nepali etc. We even have unconfirmed information that she has sung song (s) in Tamil and even in English.

Myth 4 : Geeta Dutt sang mostly sad songs.
Myth buster : Geeta ji must be the only singer to have sung such a wide range of variety of songs in an active career spanning from 1946 to 1959. There is no single human emotion which has not been touched by her voice. We listed her happy mood songs just from Hindi and the list came out to be more than 500.

Myth 5 : Geeta Dutt sang mostly club songs/light songs.
Myth buster : At the cost of repeating, we can say that Geeta ji has sung a wide range of variety of songs including sad songs. Every year she came up with a popular light song, there is at least one deep and rich emotional sad song.

Myth 6 : Geeta Dutt sang mostly for dancers/side actresses.
Myth buster : Geeta ji sang for most of the major heroines of the 40s and 50s. The list includes Meena Kumari, Madhu Bala, Nargis, Geeta Bali, Nutan, Vyjayantimala, Nalini Jaywant, Anita Guha, Nirupa Roy, Kumkum, Padmini, Nasim Banu, Durga Khote, Helen, Cukoo, Kalpana Kartik, Kamini Kaushal, Mala Sinha, Nadira, Shyama, Shakila, Tanuja, Usha Kiron, etc.

Myth 7 : Geeta Dutt sang for a handful of films, say about 50-60.
Myth buster : Geeta ji sang songs for about 600 plus films.

Myth 8 : Geeta Dutt did not sing any classical based songs.
Myth buster : Even though she did not get any formal training in classical music, Geeta ji has sang about 25 -30 classical based compositions in the limited opportunities she got.

Myth 9 : Geeta Dutt sang mostly in the fifties.
Myth buster : Geeta ji began her career as early as in 1946. We have unconfirmed information that she even recorded some songs in the year 1945. She sang an approximately 400 songs from 1946 till 1950, a record of sorts. She was the number one female playback singer in those years. Even after 1950, she was one of the topmost three singers (with Lata ji and Shamshad ji) for several years.

Myth 10: Geeta Dutt was only famous for bhajans and sad songs.
Myth buster : In the late forties, many of the films made had social, mythological and rural backgrounds. In many cases, they had sad songs and bhajan songs. Geeta ji sang those songs and even romantic songs with equal ease. She has sung some amazingly charming romantic songs even for mythological films.

Myth 11 : Geeta Dutt sang mostly simple songs.
Myth buster : Geeta ji was extremely talented and knew how to modulate her voice very well. She has sung extremely complex tunes but many of those songs are lesser heard gems. Watch this space for an article on such songs.

Myth 12 : Geeta Dutt sang mostly duets with Mohd Rafi sahab.
Myth buster : Geeta ji has sung duets with almost all the major male and female playback singers of the 40s and 50s. The list is over 75 co-singers.

Myth 13 : Geeta Dutt did not sing for the maestro composers of the 40s.
Myth buster : Geeta ji has sung for Master Ghulam Haider sahab, Naushad sahab, Shyam Sunder sahab, Pankaj Mullick sahab, Timir Baran sahab, S N Tripathi sahab, Vasant Desai sahab, C Ramchandra sahab among many other composers of the 40s.

Myth 14 : Geeta Dutt lost her voice in the sixties.
Myth buster : Under the limited opportunities she got in the early sixties, she has sung very nice songs. Even her songs from the film Anubhav (1971) are simply divine.

Myth 15 : Geeta Dutt did not sing for classical maestros.
Myth buster : Geeta ji has sung some very nice songs for composers like Pandit Ravi Shankar sahab, Alla Rakha sahab (aka A R Qureshi) and Ali Akbar Khan sahab.

Looking forward to the comments/feedback from music lovers.

* This post was originally posted on Monday, November 23rd, 2010. We lost some pages due to technical issue. Now we are in the process of re-publishing these articles.