Archive for the ‘Geeta Dutt and her singing’ Category

*Update* Program on Geeta ji’s songs in Delhi – 10th October: Venue changed

Thursday, September 24th, 2015

Program

A musical tribute to the versatile multi-lingual legendary singer Geeta Dutt ji through her most famous and celebrated work in Hindi Cinema. The program is on 10th October 2015 at 7 PM. Due to overwhelming response the location of event “Ek Shaam Geeta Dutt ke Naam” (on 10th oct’15) has been changed to Russian Centre of Science & Culture, which has more seating capacity. This location is about 7 minutes walking distance from Triveni and 9 minutes walking from Mandi house metro station.
Details of the venue are as follows
Russian Center of Science & Culture, 24, Firoz Shah Road, Near Mandi House, New Delhi-110001.

We have created a whats app group to send you notifications for the event, Please whats app your name at +919810152956
Please find a reference Location map enclosed

Map
Here is a video clip of Sonal singing a song.

Dr. Sonal Wadhwa did her doctorate in Music from Delhi University in 2014. She has been fortunate enough to be musically cultured under the able guidance of Padmabhushan Vidushi Shanno Khurana ji. Dr. Wadhwa soon recognised light music as her forte and have been working as an independent music professional (singer) since then. Seeing herself in deep resonance with Geeta Dutt Ji’s voice & tunes, this idea of holding an evening in remembrance of her thus took shape. She would be paying tribute to Geeta Dutt ji by singing her signature solo-songs.

Please attend the program and enjoy the melodies.

Many thanks to Sonal ji for taking the initiative for this program.

One of the most awaited videos: Chaand hain wohi – Parineeta (1953)

Wednesday, August 12th, 2015

Parineeta
The film Parineeta (1952) has a magical song “Chaand hain wohi” sung by Geeta ji. It was filmed on Meena Kumari ji but the song was deleted from the film and was never made available on any VCD/DVD of the film all these years. Our dear friend Kusum Saxena ji got hold of a VHS tape of this film and it had the video of this song. We had earlier hosted the video on our website here Great Discoveries Great Songs
Parineeta

Now the video has been made available on Youtube for every one to appreciate and enjoy.

One can listen to a better audio file on this link, which has been available all these years

The lyrics of this divine melody are penned by Pandit Bharat Vyas ji and is composed by Arunkumar Mukherjee sahab.

chand hai vahi sitare hai vahi gagan
phir bhi kyu udas hai udas mera man
udas mera man chand hai vahi

kaun tha mila mujhe jo mil ke kho gaya
kaun tha mila mujhe jo mil ke kho gaya
kaun mere paas aa ke dur ho gaya
phul hai vahi phul hai vahi, bahare hai vahi chaman
phir bhi kyo udas hai udas mera man
udas mera man chand hai vahi

aaj mere man ki bansuri bhi maun hai
aaj mere man ki bansuri bhi maun hai
jis ko dhundhte mere nayan vah kaun hai
rag hai vahi rag hai vahi, parag hai vahi pavan
phir bhi kyo udas hai udas mera man
udas mera man chand hai vahi

Parineeta
We are extremely grateful to Kusum ji for sharing the video on youtube.

Radio Cylone tributes to Geeta ji

Wednesday, July 22nd, 2015

Geeta Dutt

Today Radio Ceylon paid a tribute to Geeta ji in their Film Sangeet programme. Here is the song detail thanks to Narsingh D Agnish ji:-
Film Sangeet (in memory of Geeta Roy/Dutt on her death anniversary)
1. Non-film bhajan – Geeta Dutt – jamuna ke teer kaa.nha aavo जमुना के तीर कान्हा आवो
2. Mr & Mrs 55 (1955) – Geeta Dutt – preetam aan milo – OP Nayyar (Saroj Nayyar) प्रीतम आन मिलो [originally issued as a private song by CH Atma]
3. Milaap (1955) – Geeta Dutt – chhahay bhi jo dil jaana na wahaa.n – N Dutta (Sahir Ludhianvi) चाहे भी जो दिल जाना ना वहाँ
4. Savera (1958) – Geeta Dutt – thehro zara si dair to – Sailesh (Prem Dhawan) ठहरो ज़रा सी देर तो आख़िर चले ही जाओगे
5. Baaz (1953) – Geeta Roy – ae dil-e-diwanay (3) aag laga li kyo.n daman mei.n – OP Nayyar (Majrooh Sultanpuri) ऐ दिल ऐ दीवाने (3) आग लगा ली क्यों दामन में
6. Aar Paar (1954) – Geeta Dutt – ja ja ja ja bewafa, kaisa pyar kaisi preet re – OP Nayyar (Majrooh Sultanpuri) जा जा जा जा बेवफ़ा, कैसा प्यार कैसी प्रीत रे, तू ना किसी का मीत रे
7. Baadbaan (1954) – Geeta Dutt – kaise koyi jiye (2) zahar hai zindagi utha toofaan – Timir Baran & SK Pal (Indivar) कैसे कोई जिये (2) ज़हर है ज़िन्दगी उठा तूफ़ान
8. Sailab (1956) – Geeta Dutt – hai ye duniya kaun si ae dil mujhay kya ho gaya – Mukul Roy (Majrooh Sultanpuri) है ये दुनिया कौन सी ऐ दिल मुझे क्या हो गया, जैसे मन्ज़िल पर कोई आके मुसाफ़िर खो गया
9. Kaagaz Ke Phool – Geeta Dutt – waqt ne kiya kya haseen sitam, tum rahay na tum – SD Burman (Kaifi Azmi) वक़्त ने किया क्या हंसीं सितम, तुम रहे ना तुम हम रहे ना हम

Here is the programme audio thanks to Ashwani Kumar ji:-

Last Saturday also Radio Ceylon had paid tribute in their Ek Aur Anek Programme. Here are the details again thanks to Agnish ji:-
Part 1. Ek Aur Anek (Geeta Roy/Dutt with other singers)
1. Banwre Nain (1950) – Geeta Roy & Mukesh – khayalo.n mei.n kisi ke iss tarah aaya nahi kartay – Roshan (Kedar Sharma) ख़यालों में किसी के, इस तरह आया नहीं करते, किसी को बेवफ़ा आ आ के तड़पाया नहीं करते
2. Karwat (1949) – Geeta Roy & SD Batish – mei.n angoor ki bail piya – Hans Raj Bahal (Saif-ud-din Saif) मैं अंगूर की बेल पिया
3. Pyaase Panchhi (1961) – Geeta Dutt & Manna Dey – babu bol kaisa rokaa hum ne dhoondha kaisa mauka – Kalyanji Anandji (Qamar Jalalabadi) बाबू बोल कैसा रोका हम ने ढूँढा कैसा मौका
4. Shararat (1959) – Geeta Dutt & Kishore – tu ne mera dil liya, teri baato.n ne jadoo kiya – Shankar Jaikishan (Hasrat Jaipuri) तू ने मेरा दिल लिया तेरे बातों ने जादू किया, हाय न जाने क्या कर दिया
5. Manzil (1960) – Geeta Dutt & Rafi – chupkay se milay pyaase pyaase kuchh hum kuchh tum – SD Burman (Majrooh Sultanpuri) चुपके से मिले, प्यासे प्यासे कुछ हम कुछ तुम, क्या हो जो घटा बरसे खुल के रुम-झुम रुम-झुम
6. Police (1958) – Geeta Dutt & Hemant Kumar – chalei.n hum kahaa.n kaho – Hemant Kumar (Majrooh Sultanpuri) चलें हम कहाँ कहो चलें हम कहाँ
7. Doctor Z (1959) – Geeta Dutt & Talat – dil ko lagaa ke bhool se dilka nishan mita diya – Manohar (Akhtar Romani) दिल को लगा के भूल से दिल का निशां मिटा दिया
8. Pareeksha (1963) – Geeta Dutt & Mahendar Kapoor – gham ki aag mei.n hum to jaltay yahaa.n – SN Tripathi (SR Saaz) ग़म की आग में हम तो जलते यहाँ

This is the song audio thanks to Ashwani ji:-

Heartfelt tribute from a young fan

Tuesday, July 21st, 2015

Geeta Dutt

Sautrik Bhattacharya:

On the eve of her death anniversary it is very natural to feel sad on our parts being very faithful fans of our beloved singer Geeta Dutt. I feel myself extremely lucky to be able to apprehend the sweetness of her voice, the serenity of her vox and heartfelt emotions of her singing when my age mates and friends take pride in defaming old melodies and praising the likes of Honey singh. From a very childhood the beauty of old songs have attracted me beyond attraction, but Geeta ji’s songs have always been special. I don’t know actually how she silently captured the apex position in the kingdom of melody of my mind, but I have always felt a deep sense of connection from the very first time I remember listening her.

Her voice was such a fine actress, that I just can’t stop admiring the genius, playing roles from a little boy to a mother, sister, leader, lover, teacher, fighter, devotee, wife, friend and many more including a fruit seller. She could have played many more roles but may be we were not lucky to behold those acts. Though people give reasons for her early demise I think she had come on earth borrowing the voice of God thus departed early. But still among her short stay among us she gifted us ample songs to make peace with our souls. I do want to live long and one reason for that is simply to listen her. May God grant me a small luck that whenever I leave this melodious earth I may leave with peace and satisfaction in heart and Geeta ji’s songs in ears.

Tributes from music lovers

Tuesday, July 21st, 2015

Geeta Dutt

Today on 20th July, some music lovers on social networking site Facebook offered their tributes to Geeta Dutt ji. The tributes were from songs different languages, film and non-film songs. Some were songs from the 40s and some were from early 70s. The moods of the songs ranged from sad, club, romantic, devotional, lullaby and so on. Many were rare songs and some others were very popular ones. All this clearly indicates the wide range and versatility of Geeta ji’s singing. We are sharing some of such tributes here.

Lakshmi Priya:

Do we need to know the language to enjoy such songs. This is the 1st bengali song my father made me hear. Decades later I found it again on you tube . Those days doordarshan used to now and then air such songs
My father was derilious with joy hearing this.Eai Nishi Raat…… Bengali film song By Geeta Dutta from the movie Prithibi Amarey Chai

Sudarshan Pandey:

Dedicating this song to Geeta ji. It is like Gangaajal se Ganga Pooja. If you listen to this song either in afternoon or in night it is more powerful and heart piercing voice of Geeta Dutt ji which will take you to another world of pain. She was the lady who felt the brunt of Guru Dutt’s unfolded moods. None of us can find a better answer for Guru Dutt’s state of mind to be in such mysterious mood. But it is really easy to understand her mental position to live with a genius and mysterious Guru Dutt. I always feel that there is very real Geeta ji in this song, instilling her passion, her agony, her confusion or state of mind into this song.

Parag Sankla:

First post on this theme dedicated to my most beloved voice, Geeta ji. The very touching melodious song expresses my feelings. Jab tum nahin toh chaand sitaare main kya karun, yeh phool yeh chaman yeh nazaare main kyaa karu , Film – Kitna Badal Gaya Insaan 1957, MD – Hemant Kumar, Lyricist – S.H.Bihari, Singer – Geeta Dutt

Parag Sankla:

Third post. True magic in less than 3 minutes long audio. The maestro composer Pandit S N Tripathi ji, lyricist Ramesh Chandra Pandey, actress Meena Kumari and singer Geeta Roy creates this near perfect melody for the film Laxmi Narayan (1951). Gayi birhaa ki raat aaya hain naya prabhaat

Deepa Buty:

I wonder why this song & how a song like this can be deleted from the movie. Each time you listen to it & you feel the power in her voice as well as the intoxication she spreads through singing.

Meeta Mukherjee:

My third post is a mujra sung by Geeta Dutt from the movie Savera (1958) penned by Prem Dhawan which was composed by my father in law Shree Sailesh Mukherjee…She used to come to my in law’s residence for rehearsals.

Rajendra Bora:

This song of Geeta Ji is full of pathos. The words, the music and top of all her voice goes straight to deep in your heart. It is from unreleased film ‘Bhool Na Jaana’. The song was written by Ghanshyam Aacharya and melodiously composed by late Daan Singh, both belonging to Jaipur (Rajasthan).

Kailash Mundra:

CID : I dedicate this song to Geeta Duttji & Bombay (Mumbai) . I have been visiting Mumbai since the 50’s and feel nostalgic whenever I see such songs depicting Bombay ! The old clear roads, the royal feeling of riding in Victoria (buggie).
This is a fantastic song which was on top of Binaca Geetmala in 1956 and love the rhythm of this memorable song . Majroohsaab’s words are applicable in Mumbai even today ” beghar ko awaara yahan kehte has has, khud katey galey sabke kahe isko business”. Thing to note is Geeta ji makes an appearance only at the end of the song but leaves her impact

Nikhil E Iyer:

Geeta ji sang so many wonderful duets with Hemant Kumar from which their best song cannot be easily categorized..This is one such song from Bhagwat Mahima(1955) composed by Hemant Da and penned by Pt Madhur…’Har Dukh Ka Savera Hai, Par Shaam Nahi Hai,
Bhagwan Teri Duniya Mein Aaram Nahi Hai’..

Gajendra Khanna:

Another adored non-film by Geeta ji which I can never get over is “Hum Ban Rahe The Jinke Woh Ban Gaye Hamaare”. I discovered this few years back and have been enamoured ever since.
Its composed by Kanu Ghosh and the lyrics are by Madhukar Rajasthani. Just give a listen to this song. Can anyone sound sweeter!

Gajendra Khanna:

Geeta Roy was a singer par excellence and its not surprising that Sajjad Hussain used her singing in quite a few of his films. Enjoy this delightful song, one of my favourites, from movie Sangdil picturised on the lovely Madhubala (who are a great combination!). Enjoy Darshan Pyaasi Aayi Daasi Jagmag Deep Jalaaye to appreciate the pathos that Geeta Roy could deliver, seemingly effortlessly (but try singing it!)

Gajendra Khanna:

I am quite fond of her songs as some of you know. This non-film Hindi song is one of my favourites. It was composed by V Balsara and is called Gaayein Gaayein Naye Tarane Gaayein. Its a quite delightful song.

Nikhil E Iyer:

My first song for the Theme is this soothing melody rendered by Geeta Dutt from Husn Ka Chor(1953)..There was a time when I heard these songs continuously for hours and hours. Even now when i listen this song, I get tears. Though this is a wonderful composition by Bulo C Rani and penned by Raja Mehdi Ali Khan, but for me this song is only Geeta Dutt song..Its been made for her.. God gifted her a beautiful voice, but it was she who made that divine gift eternal.

Aditya Pant:
Sharing a recent discovery of an extremely rare song on Geeta Dutt’s death anniversary… based on a popular folk tune.
Naach Rahi Naach Rahi Champakali – Awara Shahzadi (1956) – Geeta Dutt & Chorus – Jimmy – Khawar Zaman

Suman Vinod:

Two Voices that will Always Vibrate in our hearts—Two Lovely Singers—Two Careers Cut Short due to different reasons—yet what we Got will last us Many Lifetimes—

Archisman Mozumder:

A song of Geeta Dutt, on her death anniversary, with the lady who operated in a somewhat similar domain of song-genre – Asha Bhonsle.

This sprightly song is a visual treat as well. Vijay Anand’s deft camera-work, Shashikala’s fetching expressions & most importantly, Helen’s ebullient yet graceful movements.

The crisp musical orchestration & arrangement (most probably) is Anthony Gonsalves’… An indication of how vital they are, to enhance the beauty of a song. Lovely and crooning accordion for the languid and sensual part of Geeta ji and the bubbly brass /trumpets for busy part of Asha ji.

Lalita Chidambaram:

Remembering Geeta Dutt on her death anniversary.This particular song happened to be sung by me for the next two generations.Still it is as fresh as it was when I heard it for the first time!

Amitabh Nigam:

Remembering Geeta Dutt today on her death anniversary. Sad songs conveyed the pain more effectively in her voice. This Shailendra song composed by Mukul Roy is a case in point. The yearning in her voice made songs pathos-laden and has been unmatched.

Darkndusky Hoon (Bharathi):

batao kya karungi mai jab gham ki raat aayegi
jo ghum ki raat aayegi mai chaand banke aaunga
tamam rat khwab me tumhare jagmagaunga

dikha sakoge khwab kya jo nind hi na aayegi
na aaye nind ghum nahi mai neend ban ke aaunga
aur aake in gulabi ankhdiyon ko choom jaunga

and so it goes ….Sweet lyrics by Kaifi Azmi and SDB’s dhun . Geeta and Rafi saab’s voices just tug at your heart strings…Have been wantign to post this song for an eon now ….Long Live GD ….

Archana Gupta:

Lovely, rarer song and reminds me very strongly of “Tum to dil ke taar chhed kar” – not just music, not just lyrics, not just the “style” but the complete package. Mukhda also took me to this one for some unexplicable reason though there is no real similarity beyond GD smile emoticon (and maybe I was simply in the mood to post this one today and am too lazy to write a real post – yes I should and pay a fitting tribute to the lady but for now will add this one here smile emoticon ) Love this song and the effect of longing and anticipation that Geeta Dutt produces with her inflection as she sings

Venkata Raman G:

The Banner depicting a Naiyya in the Sea inspires me to Post this song as a tribute to the one and only GEETA DUTT nee Geetā Ghosh Roy Chowdhuri (23 November 1930 – 20 July 1972) Prolific & Prominent Indian Playback singer, on her Death Anniversary today

Maaji Albele (Pyaar Ka Kanta Man Ki Machariya)
Geeta Dutt
O P Nayyar
Majrooh Sultanpuri
Baaz (1953)

Vijay Kumar:

Remembering Geeta Dutt. Hoon abhi main jawan ai dil..

Geeta’s voice chases as no other voice, leaving one soaked in the song sentiment for a while longer. A few instances : the pining in a climbing resonance of koi door se awaj de chale aao….., the ‘sobbing’ rendition in mera sunder sapna toot gaya…. or the resignation inherent in waqt ne kiya kya haseen sitam……My post though is live-the-moment number – hoon abhi main jawan ai dil. But please give another look to the lyrics. It seems to be summing up the pain, the poignance or even the ecstasy in Geeta’s life. Perhaps, Geeta-Guru was a classic case of complementing tragedies !

Hoon Abhi Main Jawaan Ae Dil, Hoon Abhi Main Jawaan

Dibyendu Dey:

My Tribute to the immortal Singer on her death anniversary…A less-heard song from the bengali movie Sathihara
lyrics- Gouriprasanna Mazumdar, Music- Hemant kumar.

Arvinder Sharma:

Of Jogan songs, there’s not much to say for me, as countless pages must have been devoted by Geeta Dutt fans, who are prolific writers, and understand the music better than me.
But if initially I was swept over by the great Bhajans of this film, it was later on that other Geeta Dutt songs, the playful ones, caught my attention. And I find them no less beautiful.
Odhni pe bijliyon Ki kook, a stanza, I used to rewind my cassette player just enough to listen to it again, still can’t get over. What a rendering. RIP GEETA DUTT !

Acknowledgments:

1) Geeta ji’s son-in-law Naushad Memon ji (who is married to Geeta ji’s daughter Neena ji) shared this wonderful photo today. Thank you Naushad ji for this lovely photo.

2) We are grateful to all the music lovers for their tributes.

Geeta Roy turns Dutt

Monday, July 20th, 2015

Publicity poster

We have already talked a lot about the huge popularity of Geeta Roy in various posts on our website. Post marriage when She adopted the name Geeta Dutt, people had to be told both names were the same person. This label scan from the collection of our dear friend Gajendra Khanna proudly labels her as Geeta Dutt (Roy) informing the filmgoers about this fact on the record of Toofan Aur Diya.
Meri aan bhagwan

Her name along with Lata ji on this record label for the duet song also appears in the same format.

Meri chhoti si behen

Till 1950 during their female duets, it was Geeta Roy whose name came first before Lata Mangeshkar. It indicates the popularity she enjoyed. Things did change the reverse way in the later years but the fact remains that while she was Geeta Roy she ruled the Hindi film singing world.

This clearly proves what a rage ‘Geeta Roy’ had been! Even all her Bengali records between 1953 and 1956 mentioned ‘Geeta Dutt (Roy)’ says our friend Sounak Gupta. The ‘Harano Sur’ record with ‘Tumi Je Amar’, was the last to mention her name in this way. Even most of the mid 50s (Bengali) film magazines used to mention ‘Smt. Geeta Dutt (Roy)’. That was because of the stature Geeta Roy had attained.

Here are labels of some of her 78 rpm records of Bengali songs graciously shared with us by our dear friend Sounak Gupta.

The first record with her credited is GE 24702 – Padma amar kohe kende kende (Lyrics & Music – Kanu Ghosh) & Aay Re Chhute Aay (Lyrics & Music – Kanu Ghosh).

Disc

Another one which credited as ‘Geeta Dutt (Roy)’ GE 30372 Film – Harano Sur Song – Tumi Je Amar (L- Gouriprasanna Majumdar, M – Hemanta Mukherjee)

Disc

Another record from the same film – N 76032. Songs – Suray Dube Thakle Pore (L – Shyamal Gupta, M – Anil Bagchi) & Pujite Maheshe Heri Pranodhone (L – Girish Chandra Ghosh, M – Anil Bagchi).

disc

N 76034. Film – Mahakabi Girishchandra. Song – Akulo Basante Aaji (L – Shyamal Gupta, M – Anil Bagchi)

disc

Here is one more 1956 basic disc. N 82701, with songs – Othho Othho Maa Gouri (L – Bhaskar Bose, M – Sudhin Dasgupta) and Kajol Kajol Kumkum (L – Miltu Ghosh, M – Sudhin Dasgupta).

disc

1957 non-film disc – N 82731. Songs – Rum Jhum Jharnar (L – Anal Chatterjee, M – Kanu Ghosh), Tomay Dekhechhi (L – Anal Chatterjee, Kanu Ghosh).

disc

Another 1957 basic disc – N 82764. Songs – Krishnachura agun tumi (L – Batakrishna Dey, M – Sudhin Dasgupta), Jhiri Jhiri Chaitali Batase (L & M – Sudhin Dasgupta)

disc

Great fan of Geeta ji and our dear friend Mahesh Sagar recalls that many 78 rpm records continued to have her name as Geeta Roy till the year 1956-1957 . Even the famous Bhai Bhai song ‘ae dil mujhe bata de’ is also credited to Geeta Roy on 78 rpm records. Mahesh distinctly remembers an interview of legendary playback singer Asha Bhosle ji where she mentioned about R D Burman discouraging her from changing her surname to Burman ( Asha Burman) giving example of how Geetaji’s Career took a hit after she changed her surname from Roy to Dutt.

My Rangadi by Babul : Milan Roy remembers his sister

Sunday, July 19th, 2015

Geeta Dutt and Milan Roy

All these years we have been trying to get in touch with a member of Geeta ji’s family. Finally through social networking website Facebook we were able to connect with Shri Milan Roy ji, younger brother of Geeta ji. We are highly grateful to Shantu ji, Milan ji’s wife for connecting us with him.

Milan ji lives in the state of Arkansas, USA since 1961. Since it was not possible to meet with him in person, Parag Sankla from our team used video conferencing technique to speak with him. The interview has been recorded with permission from Milan ji and is being shared here.

Here are some of the questions we asked Milan ji.

1) Please tell us about your childhood or early memories of Geeta ji
2) Please tell us about the Roy family and the affection between the siblings. Please tell us more about the family group photo

Family photo

Sitting from L to R: Debendranath Roy (Father), Geeta Roy, Amiya Roy (Mother)
Standing from L to R: Roma Dutta Roy (cousin) , Mukul Roy (brother), Pabitra Roy (brother) and Milan Roy (brother)

3) We have read that Geeta ji helped you to go abroad (USA) for studies. Please tell us more about it
4) How were your initial years in the USA? How often did you get a chance to meet her during your stay in the USA. Please tell us more about the photo with you and Geeta ji together
5) Please tell us about Mukulda who composed such wonderful songs for Geeta ji
6) We have read that Geeta ji was a very jovial and kind-hearted person. Please tell us more about this aspect of her nature
7) What are some of her songs which you personally like
8) While you were in India did you get a chance to attend some recordings or rehearsals with her. Please tell us more about it
9) When you go down the memory lane what your feelings about all the wonderful memories of your Ranga di you cherish.
10) We launched the website dedicated to Geeta ji in the year 2008. This was a little tribute to the immense talent from her fans. Please share your thoughts about it

Milan ji’s responses were straight from the heart, just like Geeta ji’s singing. He talked about so many wonderful memories during this 50 minute interview. It was truly a trip down memory lane.

We hope you will enjoy seeing to this interview as much as we enjoyed speaking with him.

During the interview, Milan ji mentioned that he played a small role in the film Jaal (1952) starring Dev Anand and Geeta Bali, directed by Guru Dutt. This is the link for the small role Milan ji played in Jaal (1952) ?t=2m50s

We spoke about a particular color photograph of Geeta ji with Mohd Rafi sahab. It was taken when they were visiting London for a musical concert. The same is being shared here:

Mohd Rafi, Geeta Dutt

During the interview, Milan ji mentioned that he had gone to Madras (now Chennai) for the recording of this song sung by Geeta ji and Manna da. The song is Humne sapne dekh liye from the film Sitamgar (1958). It is a dubbed film from a south Indian film. It had music by G Ramanathan and B N Bali.

Yaad karoge yaad karoge – Fan’s tribute : Usha Harlalka

Sunday, July 19th, 2015

Geeta Dutt

Remembering Geeta Dutt on her 43rd death anniversary on 20th July, her melodious that immortalized songs like Waqt ne kiya and Jaane kya tune kahi, continues to enthrall listeners and remain in our heart and soul forever.

1) One of her song that I love to listen is from the film Sahib Biwi Aur Ghulam (1960) . It’s a different flavor of love, where the lady is waiting for her beloved to arrive . Geeta Dutt’s sultry voice is just perfect for this song. Playfulness, naughtiness, coyness, sweetness everything is on display in her voice.
The lyrics by Shakeel Badayuni and the masterpiece composition by Hemant Kumar captures the feelings of a newly married typical Indian woman of those days beautifully. Hence we find a touch of “Sharang” or being more specific, “Brindabani Sharang”. The song only partially follows the notes of the “Kafi Thaat” to which the particular Raaga belongs to. Hence we can not refer to it as a Raga-Based song despite the influence of “Sharang” !

2) Another nostalgia and one of the early songs sung by Geeta Roy was “Mera Sunder Sapna Beet Gaya…” in Do bhai 1946 . The music is by the legendary S D Burman, and the lyricist was Raja Mehndi Ali Khan . The prelude of the song starts with the guitars which makes it just too good ! The song is based on Raag Bilawal .

3) This is a very sweet duet song to listen to. In fact, the movie “Baawre Nain “(1950 ) was full of memorable songs. The music director was Roshan and the songs were penned by Kidar Sharma who was also the producer and director of the film .The song “Khayaalon mein kisi ke” is sung by Geeta Dutt and Mukesh and their collaboration makes this masterpiece remembered fondly to this day. The voice of Geeta Dutt sounds so refreshing and melodious in this song.

4) One of the immortal bhajans is from “Jogan” (1950). It is sung by Geeta Dutt and this bhajan is one of the most memorable songs of her career. Bulo C Rani was the music director . The lyrics of this song by Meera Bai .

This song is easily one of the iconic songs of bollywood that has led to countless variations and versions, but I like Geeta Dutt version only . It is based on raag Darbari Kanada .

5) Here is a song, a timeless classic from the movie “Baadbaan” (1954) ” .Both Geeta Dutt and Hemant Kumar versions have been rendered with deep pathos, but to me, GD’s rendition touches to the core and is incomparable , the piano sounds heavenly .

Indeewar is the lyricist and music was composed by Timir Baran and S K Pal.

6) This is one of the best peppy songs from old classic suspense movie Mujrim (1958) . Geeta Dutt is singing for Geeta Bali . This song is filmed on Club . Geeta Bali made a special appearance in this film starring her real life husband Shammi Kapoor and Ragini. Clapping sounds and trumpets makes it very enjoyable to watch and listen .

Music Director was O P Nayyar and lyrics by Majrooh Sultanpuri

7) Here is a very delightful song from Basu Bhattacharya’s Anubhav (1971). Considering that this movie was released in 1971 and Geeta Dutt passed away around the same time, this must be the final time when her wonderful voice was heard in a Bollywood movie.

Music Director is Kanu Roy and the song is penned by Kapil Kumar and sung by Geeta Dutt.

8) This song is quite romantic setting song from the movie Jaan Pehchaan 1950. The song is sung by Talat Mehmood and Geeta Dutt. Shakeel Badayuni is the lyricist. Music is composed by Khemchand Prakash .

9) Another gem from the movie Dilruba 1950 . This song sung by Geeta Roy and G M Durrani .Awesome composition by Gyan Dutt and penned by S.H. Bihari. It is filmed on the romantic pair of Rehana and Dev Anand.

10) One of the best and peppy song from the golden treasure of the melody queen Geeta Dutt is Chand ghatne laga, raat dhalne lagi, Aarzoo mere dil ki machalne lagi . This peppy Geeta Dutt number is a sheer joy to listen to. A dance number, it nevertheless talks of love and her heart’s desires, and how it is unaffected by the waning of the moon and the passing of the night.

The song is written by S H Bihari. Music is composed by Hemant Kumar from the movie Shart 1954.

Acknowledgement: We sincerely thank our friend and Geeta ji’s fan Usha Harlalka ji for writing this tribute on our special request.

In conversation with Sammy Reuben: Famous piano-accordionist

Wednesday, May 13th, 2015

Geeta Dutt

This is an in person account of conversation of our dear friend Laxmi Priya with Sammy Reuben, the famous piano-accordionist. He started his career with Geeta Dutt where he played for the song Mujhe jaa na kaho meri jaan…for the film Anubhav. He is son of the late Dr. H. Reuben and is a past student of St. Vincent’s High School and of Fergusson College, Pune. He first took piano lessons from Miss E. Roberts, and later learned the piano-accordion from Mrs. A Ketkar. A hobby first, music became his career when he went to Bombay in 1967.
A small write up based on my conversation with SAMMY REUBEN – [ Famous piano-accordionist , who started his career with Geeta Dutt where he played for the song Mujhe jaa na kaho meri jaan…for the film Anubhav – 1971 ] – I gathered this info by asking various questions I posed as I tried to grasp a glimpse of our beloved singer Geeta Dutt and how it was for her in the year 1968 when he met her .

Sammy Reubens was all of 24 years only ,when he came from Pune to Bombay (now Mumbai).
On October 10, 1964 Guru Dutt passed away, leaving Geeta a broken woman. She suffered a nervous breakdown. When she was recovering ,she did try to resume singing again, cutting discs at Durga Puja, performing at stage shows and even doing a Bangla film, Badhu Baran (1967) as the heroine.
It was during this period in the year 1968 that Sammy first met her. He came from Pune which was his home town . He was staying as a paying guest with his aunt in Bombay. He used to go frequently in the evenings to Geeta Dutt ‘s house.
He found that actress Tuntun [ singer Uma Devi ] took up one room for herself there and was seen smoking 555 cigarettes all the time. Sammy says that she made abundant use of Geeta Dutt ‘s hospitality. Sammy met Tuntun’s daughters , one of them who was even an airhostess . He too wondered like me , why she never stayed with her daughters and was living off Geeta Dutt. He says that it’s probably because Tuntun was a regular in all her husband Guru Dutt’s films and therefore stayed with her after Guru Dutt passed away. Geeta Dutt had many friends during the pinnacle of fame like actress Smriti Biswas etc. Sammy does not recall even a single friend of her’s visiting her during those days. It was as if she was abandoned by them all. A tleast as far as he used to go to her house back then , no one came for her.
He recalls that she NEVER ever discussed her personal problems but would rather consider Sammy’s difficulties. Sammy told again and again ….such a graceful and wonderful person she was….poor lady he interjected at times when he was consumed by nostalgia about her….Staying with her at that time after Guru Dutt passed away were her 3 children , a domestic servant [ Sammy does not recall her name … who used to cook, clean and look after the 3 kids ….. Debu chakraborthi ,the tabla player who used to play for her shows , fell in love with this house help and they both married . Geeta Dutt even helped them for their marraige Debu later played for R B Burman and even for Hemant Kumar. He is now with his son in America ….. Sammy does not know who worked for her after these both got married ] . Apart from these & Tuntun , her cousin cum secretary called Hiroo was there , Sammy says that he had big eyes and was a typical Bengali . Hiroo used to look after all her financial matters , arrange shows collect payments etc .
Sammy also recalls that there was another nice gentleman called Monish who had wanted to become an actor but he never made it. Monish stayed in that house as a companion for the lonely Geeta Dutt. They used to share a few drinks after dinner late in the night. Sammy says he was young and dint bother to understand that relationship [ I told him that it must be more to do with companionship & we both agreed on this ] Sammy says that Geeta Dutt never misbehaved when she drank. At all times she was very restrained and considerate about others. He says that maybe she drank to forget her misery,….. poor lady repeated again & again…[ If only she lived now in the days of internet & music groups ,….so many TRUE fans would have not made her feel lonely at least ]….. Sammy even went on to mention that once upon a time Asha Bhonsle used to touch her feet whenever they both met . Later O P Nayyar gave the heroine songs in the film Howrah bridge to Asha whom he became intimate with and gave Geeta Dutt the club song which went on to become the most popular song of the film. Geeta Dutt never ever wished ill for Asha or anyone for that matter .
Along with Sammy & Geeta Dutt,……. Tuntun , Hiroo & Monish also used to accompany them for the late night shows of films they used to quite frequently go to . Once there was a show in Pune. Geeta Dutt came to know that Pune was Sammy’s home town so she ensured that his name was also there in the publicity posters for the show . Once there Sammy drove his dad’s car who was no more . It was a wonderful Vauxhall car. Geeta dutt then came to know that Sammy could drive a car. So once back in Bomaby , Geeta Dutt used to make her car driver go home and Sammy used to drive them all when they used to go for these late night shows.
Wallowing in grief and a nervous breakdown Geeta Dutt used to suddenly get irritated if the kids were naughty and she used to go away to a known hospital and stay there was 2 or 3 days and take rest. Then she used to get back. I asked Sammy how the kids coped with this. He said that they were looked after well as far as he saw & knew….. Dint this have an impact on them ? I asked. He said maybe , but he was not aware of any disturbances by the kids Tarun Dutt was 14 years then. Arun Dutt was 12 years & Nina was only 6 years. I asked Sammy what happened to all these people when Geeta Dutt passed away. He told that as far he knew the sons were looked after by Atmaram [ Guru Dutt’s brother ] & Nina was looked after by Lalita Lajmi [ as I read in a filmfare I told him ] . He told maybe , because he was not there in Bombay when Geeta Dutt passed away. He was in Pune and dint get any news . . Of Tuntun, Hiroo and Monish , he does not know what happened to them.
When it came to the recording of the song for the film Anubhav-1971, Sammy had full admiration in his voice when he told wonderingly that , she came from the hospital directly to record for this song……Imagine in what state of mind she came. Poor Lady must have been a wreck. But she got the nuances of the song immediately She had by then recorded a couple of songs for the film . He played specifically for the song Mujhe ja na kaho meri jaan . She hardly rehearsed for the song. In no time she picked up the melody & the recording was over in an hour. Sammy says that he never saw her recording at the peak of her career but from what he saw he felt that it was incredible that a singer who was down in the dumps in her personal life , with no regular recordings and practice , could sing just like that as if on a cue. Imagine how she was when she was when she was famous . I asked Sammy about her laugh in the Meri jaan song ….Sammy does not know the know how she did that, maybe the words or the film scene .needed it maybe the director and Basu Bhattacharya must have suggested . The song was composed by the brilliant Kanu Roy. Sammy says , poor chap such a simpleton he was . He is no more. He & Kanu Gosh[ not as talented as Kanu Roy he told ] were both assts. to composer Salilda he told . For this song Debu played the table while Sammy played the instrument , that we see Shubha Khote is seen playing for the song picturisation of “ Tu Pyar ka sagar ho “ song in the film Seema-1955.. This instrument was regularly used in theatres for any Nautanki .It had a keyboard like harmonium & both hands were used by the person playing it. .Like the pedestal sewing machine, through paddeling with the legs , the wind support was given to the instrument. It was called Paitty, perhaps ,because of its wooden box like,appearance. Some people even call this the desi piano [ This information was given to me by Moolnarain Sardanaji ] . From Sammy’s description I understood that he played this for the “ Mujhe jana kaho “ song .

Sammy

Why was she not given chances when she was so gifted I asked despairingly . Sammy replied that maybe she stopped caring…and anyway Stage shows gave her enough. Shows were frequent for her . They happened once in 2 weeks. How much was she paid I asked . He told that they were given 5000 which was good money those days . when a south indian thalli was just 1 Rupee. Orchestra was given 1500 rupees and the rest was more than enough for her daily expenses, hospital bills . Even Drinking I asked ? Sammy told that money was not a problem for her. Atleast those days she never visited the hospital because of any liver ailment. She was just depressed and sad. He told that he does not know when she fell ill because of any liver ailment.
Of the many shows he remembered the 1st show they did together in Kapurtala, One in Punjab & then in Lucknow with a strong crowd of 40,000 plus. After her death he was cut off from all of them until a program organizer called Manohar Iyer did 2 Geeta Dutt shows in Bombay for her 30th Death anniversary in 2002. One show was in East Vile Parle & one was 2 days later in West Vile Parle. For both shows Arun Dutt [ Geeta Dutt’s 2nd son ] was invited and asked to speak . He told that he was always invited for many shows as a tribute to his father Guru Dutt . This was the first one for his mother and he was extremely happy about it [ Author Haimanthiji who wrote a lovely biography of Geeta Dutt also told me the same. She had met Arun Dutt to research about his mother. He told her that he was amazed & happy that someone had come to him about his mother. It was always about his father that people approached him , he told her ] . At the end of the show Manohar Iyer introduced everyone and then proclaimed that Sammy Reuben was in the orchestra, who was one of the original players in Geteta Dutt’s shows. Arun Dutt immediately asked Manohar Iyer if it was the Sammy uncle he knew. Later during the 2nd show Arun Dutt called Sammy on to the stage & hugged him. He even thanked him for being in his mother’s life during her difficult days. [ I got tears when Sammy told this on phone ].
I thanked Sammy Reuben profusely for sharing his memories about our beloved singer and pondered over what all he told . Since I recorded the conversation I heard it once again and carefully wrote all this . Any error on my part can be corrected by knowledgeable people.
After note – . Consumed by her personal grief and a declining health , Geeta Dutt as said by many , began drinking to a point of no return. She died of liver cirrhosis in 1972 but not before she demonstrated she still had it in her, were she given a chance. The songs of Basu Bhattacharya’s Anubhav (1971), Meri jaan mujhe jaan na kaho, Koi chupke se aake and Mera dil jo mera hota represent some of the finest work that Geeta Dutt had ever done.

A Story of the Generosity of Geeta ji in the words of Kaifi Azmi

Monday, May 11th, 2015

Lyricist and Poet Kaifi Azmi sahab has told an incident on the Jaimala Gold program on Vividh-bharati in the year 1988.

The producers of Uski Kahani (1966) wanted to have the song “Aaj ki kali ghata” sung by Geeta ji but could not afford to pay any money to her. Kaifi Azmi had earlier penned the lyrics of the film Kagaz Ke Phool which were sung by Geeta Dutt ji. The producer of the film requested Kaifi sahab to convince Geeta ji to sing the song without asking for any money.

In spite of the fact that Geeta ji herself was in great financial difficulties in those times, she sang this song for free. And she sang the song with the same passion and love (and intensity) with which she was known for.

Quote :

Filmi gaano ki mahuliyat se yeh bahut zaroori hai woh jis film ka gaana ho woh film maqbool ho. agar film naakaam rehti hai to uski har cheez naakaam ho jaati hai. meri do teen baDi baDi filmen naakaam ho gayi haalaanki gaane unke bhi maqbool huye. phir bhi filmi duniya mein yeh mashoor ho gaya ki Kaifi likhte to achchha hain lekin
sitaare unke Kharaab hain. isiliye filmkaar aksar mera naam sunkar apne kaano mein haath rakh lete the. uske baad kuchh dino tak main bilkul bekaar aur bahut zyaada pareshaan raha.

inhi haalat mein GareebKhaane par ek chhoTi si gaaDi se kuchh 10-11 aadmi utre. unko dekhte hi koi bhi samajh letaa ki yeh log filmwaale hain. maine Khushi Khsuhi unka swaagat kiya. unmein ek ‘director’ saahab bhi the jo bahut baatooni, bahut be-takalluf aadmi the.

Unhone baiThte baiThte mujhse poochh liya ki ‘aajkal aapke paas zyaada filmen to naheen hai?’.
Maine kaha ‘zyaada kya ek bhi film mere haath mein naheen hai’.
Mere is jawaab se woh Khush ho gaye. Maine poochh bhi liya ki ‘huzoor ismein Khush hone ki kya baat hai? aapko to mujhse hamdardi honaa chaahiye’.

Unhone farmaaya ki ‘main ek film banaa raha hoon aur ham sab chaahte hain ki aap uske wokaale bhi likhen aur
gaane bhi’.

mere paas jab koi filmsaad ya hidaayatgaar film ka ‘offer’ lekar aata hai to Khushi bhi hoti hai aur GhabraahaT bhi. GhabraahaT isliye ki abhi poochhenge ki ‘aap muhaafza kya lenge?’

Yeh sawaal sunke hamesha mujhe paseena aa jaata hai. jo sawaal karta hai woh bhi thoDaa ghabraata hai lekin is film mein aisa kuchh naheen huya. Main un 10-11 aadmiyon ke chehre ko dekh raha tha ki ab koi muhaafze ki baat chheDega lekin kisi ne aisa koi sawaal naheen kiya.

Main sochne lagaa ki gaano aur wokaalon ka woh kam se kam jo muhaafza denge woh bhi itna to zaroor hogaa ki bekaari ke dino mein jitna karz mujhpar ho gaya hai woh adaa ho jaaye. yeh sochkar maine naukar ko aawaaz dee ki ‘chaai le aao’. jaise hi maine likhne ki zimmedaari qabool kar lee aur woh hazraat jaane lage to ‘director’ saahab ne
nihaayat betakallufi se apna ektarfa faisla sunaa diya ki ‘is film mein aapko koi muhaafza naheen milega, agar film chalee to dekhaa jaayega’,

Main aam taur se bolta bhi kam hoon aur hansta bhi kam hoon lekin us waqt itni mehnat karke muskuraaya ki mere chehre par dhuyaan uDne lagaa. Khair, maine gaana likha aur ‘music director’ ne uski bahut achchhi dhun bhi banaaee.

Ab sawaal yeh paida huya ki gaana gaaye kaun? ‘music director’ ki khwaahish thi ki agar yeh gaana Geeta
Dutt ki aawaaz mein ‘record’ ho jaaye to woh maqbool hoga, lekin Geeta Dutt ko muhaafza kaun dega?

Maine Kagaz Ke Phool ke gaane likhe the aur Geeta Dutt ne gaane gaaye the. Zamaane mein unse kuchh jaan-
pehchaan ho gayi thi. ‘director saahab ne mujhse kahaa ki ‘Geeta-ji se agar aap kahen to woh hargiz inkaar na karengi’, maine kahaa ki ‘mujhe bhi aisa lagta hai ki woh inkaar naheen karengi’.

Itne dinon mein ‘director’ saahab ke saath uThne baiThne se mujhmein bhi yeh hausla paida ho gaya ki ek din main ‘director’ saahab aur poori ‘team’ ko lekar Geeta-ji ke ghar pahunch gaya. unko gaane ke bol aur dhun itne achchhe lage ki woh bhi kisi muhaafze ke baGair gaane ko tayyaar ho gayeen. aur unhone usi pyar se woh gaana gaaya
jisse Geeta Dutt pehchaani jaati theen.

Song: aaj ki kaali ghaTaa mast matwaali ghaTaa (Uski Kahani)

Thanks to Sujoy and Vividh Bharti Yahoo group for sharing this heartwarming story.